Library · Copy
Every client's copy, organized and on-spec
Write ad and marketing copy by channel and platform with live character counters and limits, readiness checks and AI drafting — organized by theme and ready for campaigns. Sign in to your library, or see how it works.
Library · Copy
Marketing copy is written everywhere — a doc here, a Slack message there, a note in someone’s head — and then someone has to remember which headline was approved for which platform. The Copy Library in AI Marketing Dashboard gives every client a single copy library: headlines, descriptions, captions, subject lines and SMS bodies, written per channel and platform with the character limits built in, so the copy that ships is the copy you actually approved.
Pick a channel and platform and the workspace shapes itself to that surface — Google responsive search headlines, Meta primary text, an SMS body, a LinkedIn post — each with the copy types that platform expects. A piece of copy is authored in the context it will actually appear, not in a generic box you reformat later.
Each copy asset is saved as its own record with its channel, platform and copy type, so a client's library is a real, queryable set of assets rather than a sprawling document nobody wants to scroll.
Every field shows a live character count against the real platform limit, so a 30-character headline or a 160-character SMS is caught while you write it — not when the ad is rejected or the text is silently truncated on a phone. The constraints of the medium are visible at the point of writing.
It is a small thing that saves a real amount of rework: copy that fits the first time, across every platform, without a separate cheat-sheet of character limits taped to someone's monitor.
Each copy type has its required fields, and the workspace tracks how many are filled, so an account manager can tell at a glance whether a client's copy set is ready to launch or still missing the third headline. 'Done' becomes a fact you can see rather than a guess.
For an agency producing copy across many clients and platforms, that readiness signal is what keeps a launch from stalling on a missing line nobody noticed was missing.
Headlines, descriptions and body lines are stored under the client that owns them and the positioning angle they serve, so the wording for a spring promotion sits with the keywords and artwork for that same promotion. A copy library arranged this way answers “what did we say for this campaign” in one click rather than one search.
Pick an account or an angle and only its lines stay on screen. That is deliberately identical everywhere else in the library, so a writer, a designer and a media buyer are always looking at the same slice of the account.
Generate on-brand first drafts for a channel and platform to break the blank-page problem, then edit them into the voice each client expects. It accelerates the part of copywriting that is slowest — getting something on the page — while the craft and judgement stay with your writers.
The output is a starting point you shape, not a finished asset you ship blind, so the library fills faster without the quality slipping.
Because copy is scoped to a client, theme and platform, the paid, social, email and SMS plan builders pull the matching copy directly — the headline you approved here is the headline the campaign assembles, with no re-typing and no version drift between the library and the live build.
It closes the most error-prone gap in campaign production: the moment copy is manually moved from a doc into an ad and a typo or an old version sneaks in.
